Parramatta Council Vintage Bus Installation
View a weekly progress video.
The full-size bus sculpture in Parramatta stands vertically, with its nose pointing skyward.
Battery-powered time-lapse cameras are used to document shop fit-outs, showroom builds, and commercial interiors across Sydney. Utilising specialised non-destructive mounts, these cameras can be secured in locations where placement is typically difficult. For shorter interior construction or renovation projects, weekly instead of monthly progress videos can be provided as the work develops.
Choose a project below to watch its time-lapse video and read about the filming setup.
See the showroom fit-out in Alexandria, filmed using compact, battery-powered cameras and non-destructive interior mounts.
Watch interior refurbishment work at Birkenhead Point, with camera positions selected to capture the changing retail space.
Watch the Samsung exhibition stand take shape at ICC Sydney, showing how time-lapse can document a short-term interior build.
Electric Films records artists at work and public art installations across Sydney.
These projects show how time-lapse can document sculpture installation, mural
painting and the creation of artwork in a studio.
View a weekly progress video.
The full-size bus sculpture in Parramatta stands vertically, with its nose pointing skyward.
Watch the Parramatta art sculpture installation in time-lapse.
Electric Films also recorded the creation of this mural celebrating Indian culture
and local stories.
Watch Antonia Mrljak create a large-scale triptych in her Sydney studio, captured in time-lapse by Electric Films.
Watch a Christmas sand sculpture take shape at Sydney Airport in this short-term art-installation time-lapse by Electric Films.
Non-destructive mounting methods are utilised to suit the available surfaces and camera positions. These can include wood cowling, silicone and heavy-duty hook-and-loop fastenings.
Battery-powered time-lapse cameras are utilised for interior filming, so camera positions do not have to be beside a power outlet.
Camera positions are chosen to show the making or installation of the artwork without obstructing the artist or the public. The Antonia Mrljak studio film used a non-destructive wall mount opposite the artwork. The Sydney Airport sand sculpture film used a camera mounted high on an opposite light pole.
Site photographs are available free anytime